Alexander W. Hoffmann, more than any other hand the concepts, objects and art
It is the hand that drives the first carving of the youth in the floor and hazelnut It is the hand tools and machines used for the preferred material to bring wood into the desired shape. It is also the hand that serves the eye and the found object spotted picks and it is the same hand that glides satisfied after completing the work over the surface of the object to give the blessing. Time and again it is the hand - though also driven by the idea - which it must adhere.
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Hoffmann The objects are complex as a multiplex plate and covering ground like an inflating balloon. Regional painters, sculptors and cartoonists were at the cradle of the first works that show early on the irony and the mental leaps in the objects of the artist. But the work is always ahead of the material. Whether it's lost and found items are still subject to any provision or whether they are specifically for an object made of pieces, it is always the discussion of the idea and the material of the Hoffmann unexpected and sometimes bizarre, and drives wonderfully sounding objects.
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inwardly touched and inspired by an idea, it can take months to this state a statement to the object and thus the art is maturing. Always finds Hoffmann the one goal that his personal view of a social situation with the dreamy visions of his material worlds combined. The trigger may well be in a current message or from a long-matured views result. Hoffmann's art is never mundane, and gives the viewer for thanksgiving and reflection. His objects touch and could be affected. Both are - because they are high-quality art accessible to a certain distance and with caution.
Hartmut Gloger, Diplom-Kulturmanager
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